My PhD thesis analyses the experience of the city of Los Angeles as represented in literature and film across the 20th century, focusing particularly on states of disorientation. I will address the question ‘Why Los Angeles?’ in a subsequent post, and will also expand on how disorientation is actually utilised in my analysis; for now, I want to unpack the term a little by sketching a brief conceptual history. What I’m particularly concerned with doing is demonstrating that disorientation is more than merely a synonym for ‘lost’, and how its meaning came to implicate not just the spatial/geographical, but also disruptions to time and identity.